dc.creator | Mutran, Flavya | |
dc.creator | Rama, Jander | |
dc.date | 2013-11-20 | |
dc.identifier | https://seer.ufrgs.br/index.php/PortoArte/article/view/43766 | |
dc.description | The processes of constructing images that take the intersection as artistic strategy encompass much of the current production in the visual arts. This article discusses the recent productions of Flavya Mutran and Jander Rama, whose practices move between the anachronisms of the processes of analog image production and the dystopian vision related to advances in digital images. The transition of these productions through printmaking, drawing and photography raises questions about the stresses and displacements of the subject in contemporary art, caused by the clash between old and new technologies. | pt-BR |
dc.format | application/pdf | |
dc.language | por | |
dc.publisher | PPGAV-UFRGS | pt-BR |
dc.relation | https://seer.ufrgs.br/index.php/PortoArte/article/view/43766/27517 | |
dc.rights | Copyright (c) 2013 Flavya Mutran, Jander Rama | pt-BR |
dc.source | PORTO ARTE: Revista de Artes Visuais; v. 19 n. 32 (2012): DOSSIÊ: AS TECNOLOGIAS NA ARTE E AS EXPRESSÕES DO MÚLTIPLO | pt-BR |
dc.source | 2179-8001 | |
dc.source | 0103-7269 | |
dc.subject | anachronism | pt-BR |
dc.subject | dystopia | pt-BR |
dc.subject | analog image | pt-BR |
dc.subject | digital image | pt-BR |
dc.title | Anachronistic dystopias : constructive tensions between digital and analog imaging | pt-BR |
dc.type | info:eu-repo/semantics/article | |
dc.type | info:eu-repo/semantics/publishedVersion | |
dc.type | "Avaliado pelos pares", "Artigo não avaliado pelos pares", | pt-BR |