dc.creatorMutran, Flavya
dc.creatorRama, Jander
dc.date2013-11-20
dc.identifierhttps://seer.ufrgs.br/index.php/PortoArte/article/view/43766
dc.descriptionThe processes of constructing images that take the intersection as artistic strategy encompass much of the current production in the visual arts. This article discusses the recent productions of Flavya Mutran and Jander Rama, whose practices move between the anachronisms of the processes of analog image production and the dystopian vision related to advances in digital images. The transition of these productions through printmaking, drawing and photography raises questions about the stresses and displacements of the subject in contemporary art, caused by the clash between old and new technologies.pt-BR
dc.formatapplication/pdf
dc.languagepor
dc.publisherPPGAV-UFRGSpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/PortoArte/article/view/43766/27517
dc.rightsCopyright (c) 2013 Flavya Mutran, Jander Ramapt-BR
dc.sourcePORTO ARTE: Revista de Artes Visuais; v. 19 n. 32 (2012): DOSSIÊ: AS TECNOLOGIAS NA ARTE E AS EXPRESSÕES DO MÚLTIPLOpt-BR
dc.source2179-8001
dc.source0103-7269
dc.subjectanachronismpt-BR
dc.subjectdystopiapt-BR
dc.subjectanalog imagept-BR
dc.subjectdigital imagept-BR
dc.titleAnachronistic dystopias : constructive tensions between digital and analog imagingpt-BR
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.type"Avaliado pelos pares", "Artigo não avaliado pelos pares",pt-BR


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