dc.creator | Da Silva L.A. | |
dc.creator | Novo J.E.F. | |
dc.date | 2014 | |
dc.date | 2015-06-25T17:53:49Z | |
dc.date | 2015-11-26T14:26:48Z | |
dc.date | 2015-06-25T17:53:49Z | |
dc.date | 2015-11-26T14:26:48Z | |
dc.date.accessioned | 2018-03-28T21:29:52Z | |
dc.date.available | 2018-03-28T21:29:52Z | |
dc.identifier | | |
dc.identifier | Musica Hodie. Universidade Federal De Goias, v. 14, n. 1, p. 105 - 121, 2014. | |
dc.identifier | 16763939 | |
dc.identifier | | |
dc.identifier | http://www.scopus.com/inward/record.url?eid=2-s2.0-84915774908&partnerID=40&md5=25362036a26ec3004bb88366fb2f1dca | |
dc.identifier | http://www.repositorio.unicamp.br/handle/REPOSIP/86533 | |
dc.identifier | http://repositorio.unicamp.br/jspui/handle/REPOSIP/86533 | |
dc.identifier | 2-s2.0-84915774908 | |
dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/1246163 | |
dc.description | Ubiquitous music is here understood as a natural derivation of electroacoustic music, in which electronic devices are now ubiquitously interconnected to make music together. With that apparatus, it is now possible to create a soundscape composition made of sonic material from distant and distinct soundscapes. We call that a meta-soundscape. This article presents and discusses the process of creation and development of a sonic art installation entitled "Firefly Destination" (DP) that explores this premiss. DP is a multimodal interactive artwork developed to generate meta-soundscapes. It explores the remote interaction between soundscapes whose material is manipulated in real-time by a single performer. DP uses a VoIP application (voice over internet protocol) to gather sonic information from soundscapes and deliver it to the performer. Together they act as agents of a complex open system where aesthetical meaning emerges by self-organization. Without using recorded sounds, DP creates an interactive artificial meta-soundscape, which is a sonic environment built by a process of ubiquitous music composition of synthetic and natural sound events modulated in real-time by the performer. This work is also an study of sonology. | |
dc.description | 14 | |
dc.description | 1 | |
dc.description | 105 | |
dc.description | 121 | |
dc.description | Ashby, W.R., Principles of the self-organizing dynamic system (1947) Journal of General Psychology, 37, pp. 125-128 | |
dc.description | Barbosa, A., Performance musical em rede (2010) Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar, 2, pp. 188-208. , Goiânia: Anppom Série Pesquisa em Música no Brasil | |
dc.description | Barreiro, D.L., Keller, D., Composição com modelos sonoros: Fundamentos e aplicações eletroacústicas (2010) Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar, pp. 97-126. , http://anppom.com.br/editora/Pesquisa_em_Musica-02.pdf, Damián Keller e Rogério Budasz (ed.) Goiânia: ANPPOM Disponível em | |
dc.description | Basanta, A., Syntax as sign: The use of ecological models within a semiotic approach to electroacoustic composition (2010) Organised Sound, 15, pp. 125-132 | |
dc.description | Burtner, M., Ecoacoustic and shamanic technologies for multimedia composition and performance (2005) Organised Sound, 10 (1), pp. 3-19 | |
dc.description | Chion, M., (1982) La Musique Électroacoustique, , Paris: PUF (Presses Universitaires de France) | |
dc.description | Denora, T., (2003) After Adorno: Rethinking Music Sociology, pp. 2-39. , Cambridge University Press. UK. 2003 | |
dc.description | Fornari, J., Percepção, Cognição e Afeto Musical (2010) Anais do XX Congresso Da ANPPOM, , Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar, CD-ROM | |
dc.description | Fornari, J., Interatividade Musical à Distância (2010) Anais do 6° Encontro de Música e Mídia, , 15-17 Setembro 2010. ECA - USP | |
dc.description | Fornari, J., Designing bodiless musical instruments (2012) AES BRASIL 2012, , 8-10 maio. Expo Center Norte. São Paulo. Anais⋯ Brasil. 2012 | |
dc.description | Furlanete, F.P., Mazolli, J., Interações musicais em rede (2005) X Simpósio Brasileiro de Computação e Música | |
dc.description | Horizonte, B., (2005) X Simpósio Brasileiro de Computação e Música, pp. 325-328. , Belo Horizonte: Hugo Bastos de Paula | |
dc.description | Keller, D., (1999) Touch'n'go: Ecological Models in Composition, , http://www.sfu.ca/sonic-studio/srs/EcoModelsComposition/Title.html, Master's Thesis in Interdisciplinary Arts, Simon Fraser University, Burnaby, BC, Canada. Disponível em | |
dc.description | Keller, D., Capasso, A., Social and perceptual processes in the installation the trade (2000) Organised Sound, 5 (2), pp. 85-94 | |
dc.description | Keller, D., Compositional processes from an ecological perspective (2000) Leonardo Music Journal, pp. 55-60. , http://muse.jhu.edu/journals/leonardo_music_journal/v010/10.1keller.pdf | |
dc.description | Keller, D., Barros, A.E.B., Farias, F.M., Nascimento, R.V., Pimenta, M.S., Flores, L.V., Miletto, E.M., Barraza, J.F., Música ubíqua: Conceito e motivação (2009) Anais do Congresso Da Associação Nacional de Pesquisa e Pós-Graduação Em Música - ANPPOM, pp. 539-542. , Goiânia, GO: ANPPOM | |
dc.description | Keller, D., (2004) Paititi: A Multimodal Journey to el Dorado, , https://ccrma.stanford.edu/~dkeller/pdf/Paititi2004.pdf, Tese de Doutorado em Artes Musicais. Stanford University. Stanford, CA. 2004. Disponível em | |
dc.description | Lockhart, A., Keller, D., Exploring cognitive process through music composition (2006) Proceedings of the International Computer Music Conference (ICMC 2006), pp. 9-12. , http://quod.lib.umich.edu/cgi/p/pod/dod-idx/exploring-cognitive-process-through-music-composition.pdf?c=icmc;idno=bbp2372.2006.026, Ann Arbor, MI: MPublishing, University of Michigan Library | |
dc.description | Manzolli, J., Auto-organização um paradigma composicional (1996) Auto-Organização: Estudos Interdisciplinares, pp. 417-435. , Campinas, CLE/Unicamp, ed. Debrun, M. Gonzales, M.E.Q. Pessoa Jr. O. 1996 | |
dc.description | Naveira, R.B., (1998) Caos e Complexidade Nas Organizações, , Dissertação de Mestrado. Departamento de Engenharia da Universidade Federal do Rio de Janeiro. Rio de Janeiro: UFRJ | |
dc.description | Pimenta, M.S., Flores, L.V., Capasso, A., Tinajero, P., Keller, D., Ubiquitous music: Concept and metaphors (2009) Proceedings of the Brazilian Symposium on Computer Music (XII SBCM), pp. 139-150. , Recife, PE: SBC | |
dc.description | Puckette, M., Pure data (1996) Proceedings of the 1996 International Computer Music Conference, pp. 269-272. , San Francisco: International Computer music Association | |
dc.description | Radanovitsck, E.A.A., Keller, D., Flores, L.V., Pimenta, M.S., Queiroz, M., MixDroid: Marcação temporal para atividades criativas (2011) Proceedings of the XIII Brazilian Symposium on Computer Music (SBCM 2011)., , http://compmus.ime.usp.br/sbcm/2011, Vitória, ES: SBC | |
dc.description | Schafer, R.M., (2001) A Afinação do Mundo, , São Paulo: Ed. UNESP | |
dc.description | Smalley, D., (1990) Spectro-morphology and Structuring Processes in the Language of Electroacoustic Music, pp. 61-93. , ed. Emmerson, 1990 | |
dc.description | Traub, P., Sounding the net: Recent sonic works for the internet and computer networks (2005) Contemporary Music Review, 24, pp. 459-481. , 2005 | |
dc.description | Truax, B., Electroacoustic music and the soundscape: The inner and the outer world (1992) Companion to Contemporary Musical Thought, pp. 374-398. , Paynter, John Routledge | |
dc.description | Truax, B., Genres and techniques of soundscape composition as developed at simon fraser university (2002) Organised Sound, 7 (1), pp. 5-14 | |
dc.description | Weiser, M., The computer for the twenty-first century (1991) Scientific American, 265 (3), pp. 94-101. , 1991 | |
dc.description | Westerkamp, H., Linking soundscape composition and acoustic ecology (2002) Organised Sound, 7, pp. 51-56 | |
dc.language | pt | |
dc.publisher | Universidade Federal de Goias | |
dc.relation | Musica Hodie | |
dc.rights | fechado | |
dc.source | Scopus | |
dc.title | Studying The Composition Of Meta-soundscapes In Ubiquitous Music [projeto Destino Pirilampo: Um Estudo Sobre A Composição De Meta-soundscapes Em Música Ubíqua] | |
dc.type | Artículos de revistas | |