Artículos de revistas
Studying The Composition Of Meta-soundscapes In Ubiquitous Music [projeto Destino Pirilampo: Um Estudo Sobre A Composição De Meta-soundscapes Em Música Ubíqua]
Registro en:
Musica Hodie. Universidade Federal De Goias, v. 14, n. 1, p. 105 - 121, 2014.
16763939
2-s2.0-84915774908
Autor
Da Silva L.A.
Novo J.E.F.
Institución
Resumen
Ubiquitous music is here understood as a natural derivation of electroacoustic music, in which electronic devices are now ubiquitously interconnected to make music together. With that apparatus, it is now possible to create a soundscape composition made of sonic material from distant and distinct soundscapes. We call that a meta-soundscape. This article presents and discusses the process of creation and development of a sonic art installation entitled "Firefly Destination" (DP) that explores this premiss. DP is a multimodal interactive artwork developed to generate meta-soundscapes. It explores the remote interaction between soundscapes whose material is manipulated in real-time by a single performer. DP uses a VoIP application (voice over internet protocol) to gather sonic information from soundscapes and deliver it to the performer. Together they act as agents of a complex open system where aesthetical meaning emerges by self-organization. Without using recorded sounds, DP creates an interactive artificial meta-soundscape, which is a sonic environment built by a process of ubiquitous music composition of synthetic and natural sound events modulated in real-time by the performer. This work is also an study of sonology. 14 1 105 121 Ashby, W.R., Principles of the self-organizing dynamic system (1947) Journal of General Psychology, 37, pp. 125-128 Barbosa, A., Performance musical em rede (2010) Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar, 2, pp. 188-208. , Goiânia: Anppom Série Pesquisa em Música no Brasil Barreiro, D.L., Keller, D., Composição com modelos sonoros: Fundamentos e aplicações eletroacústicas (2010) Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar, pp. 97-126. , http://anppom.com.br/editora/Pesquisa_em_Musica-02.pdf, Damián Keller e Rogério Budasz (ed.) Goiânia: ANPPOM Disponível em Basanta, A., Syntax as sign: The use of ecological models within a semiotic approach to electroacoustic composition (2010) Organised Sound, 15, pp. 125-132 Burtner, M., Ecoacoustic and shamanic technologies for multimedia composition and performance (2005) Organised Sound, 10 (1), pp. 3-19 Chion, M., (1982) La Musique Électroacoustique, , Paris: PUF (Presses Universitaires de France) Denora, T., (2003) After Adorno: Rethinking Music Sociology, pp. 2-39. , Cambridge University Press. UK. 2003 Fornari, J., Percepção, Cognição e Afeto Musical (2010) Anais do XX Congresso Da ANPPOM, , Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar, CD-ROM Fornari, J., Interatividade Musical à Distância (2010) Anais do 6° Encontro de Música e Mídia, , 15-17 Setembro 2010. ECA - USP Fornari, J., Designing bodiless musical instruments (2012) AES BRASIL 2012, , 8-10 maio. Expo Center Norte. São Paulo. Anais⋯ Brasil. 2012 Furlanete, F.P., Mazolli, J., Interações musicais em rede (2005) X Simpósio Brasileiro de Computação e Música Horizonte, B., (2005) X Simpósio Brasileiro de Computação e Música, pp. 325-328. , Belo Horizonte: Hugo Bastos de Paula Keller, D., (1999) Touch'n'go: Ecological Models in Composition, , http://www.sfu.ca/sonic-studio/srs/EcoModelsComposition/Title.html, Master's Thesis in Interdisciplinary Arts, Simon Fraser University, Burnaby, BC, Canada. Disponível em Keller, D., Capasso, A., Social and perceptual processes in the installation the trade (2000) Organised Sound, 5 (2), pp. 85-94 Keller, D., Compositional processes from an ecological perspective (2000) Leonardo Music Journal, pp. 55-60. , http://muse.jhu.edu/journals/leonardo_music_journal/v010/10.1keller.pdf Keller, D., Barros, A.E.B., Farias, F.M., Nascimento, R.V., Pimenta, M.S., Flores, L.V., Miletto, E.M., Barraza, J.F., Música ubíqua: Conceito e motivação (2009) Anais do Congresso Da Associação Nacional de Pesquisa e Pós-Graduação Em Música - ANPPOM, pp. 539-542. , Goiânia, GO: ANPPOM Keller, D., (2004) Paititi: A Multimodal Journey to el Dorado, , https://ccrma.stanford.edu/~dkeller/pdf/Paititi2004.pdf, Tese de Doutorado em Artes Musicais. Stanford University. Stanford, CA. 2004. Disponível em Lockhart, A., Keller, D., Exploring cognitive process through music composition (2006) Proceedings of the International Computer Music Conference (ICMC 2006), pp. 9-12. , http://quod.lib.umich.edu/cgi/p/pod/dod-idx/exploring-cognitive-process-through-music-composition.pdf?c=icmc;idno=bbp2372.2006.026, Ann Arbor, MI: MPublishing, University of Michigan Library Manzolli, J., Auto-organização um paradigma composicional (1996) Auto-Organização: Estudos Interdisciplinares, pp. 417-435. , Campinas, CLE/Unicamp, ed. Debrun, M. Gonzales, M.E.Q. Pessoa Jr. O. 1996 Naveira, R.B., (1998) Caos e Complexidade Nas Organizações, , Dissertação de Mestrado. Departamento de Engenharia da Universidade Federal do Rio de Janeiro. Rio de Janeiro: UFRJ Pimenta, M.S., Flores, L.V., Capasso, A., Tinajero, P., Keller, D., Ubiquitous music: Concept and metaphors (2009) Proceedings of the Brazilian Symposium on Computer Music (XII SBCM), pp. 139-150. , Recife, PE: SBC Puckette, M., Pure data (1996) Proceedings of the 1996 International Computer Music Conference, pp. 269-272. , San Francisco: International Computer music Association Radanovitsck, E.A.A., Keller, D., Flores, L.V., Pimenta, M.S., Queiroz, M., MixDroid: Marcação temporal para atividades criativas (2011) Proceedings of the XIII Brazilian Symposium on Computer Music (SBCM 2011)., , http://compmus.ime.usp.br/sbcm/2011, Vitória, ES: SBC Schafer, R.M., (2001) A Afinação do Mundo, , São Paulo: Ed. UNESP Smalley, D., (1990) Spectro-morphology and Structuring Processes in the Language of Electroacoustic Music, pp. 61-93. , ed. Emmerson, 1990 Traub, P., Sounding the net: Recent sonic works for the internet and computer networks (2005) Contemporary Music Review, 24, pp. 459-481. , 2005 Truax, B., Electroacoustic music and the soundscape: The inner and the outer world (1992) Companion to Contemporary Musical Thought, pp. 374-398. , Paynter, John Routledge Truax, B., Genres and techniques of soundscape composition as developed at simon fraser university (2002) Organised Sound, 7 (1), pp. 5-14 Weiser, M., The computer for the twenty-first century (1991) Scientific American, 265 (3), pp. 94-101. , 1991 Westerkamp, H., Linking soundscape composition and acoustic ecology (2002) Organised Sound, 7, pp. 51-56