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The mammy, the matriarch, the Jezebel: beyond controlling images of black female subjects in Their eyes were watching god, Sula, and The women of Brewster Place
(Universidade Federal de Minas GeraisUFMG, 2016-03-30)
The present thesis aims at examining how the novels 'Their Eyes Were Watching God' by Zora Neale Hurston, 'Sula' by Toni Morrison, and 'The Women of Brewster Place' by Gloria Naylor, deconstruct long-held controlling images ...
Hablando con soldados: conciencia histórica y memoria colectiva de la Gran Guerra entre soldados en servicio y retirados de un regimiento de infantería escocésSpeaking to soldiers: historical consciousness and collective memory of the Great War amongst serving and retired soldiers of a Scottish infantry regiment
(Facultad de Filosofía y Letras, Universidad de Buenos Aires, 2021)
Their Eyes Were Watching God: reflexos de raça e gênero na (re) definição do Buildungsroman
(2012)
The aim of this work is to present a reading about Their Eyes Were Watching God - an African-American novel written by Zora Neale Hurston in 1937, in which is narrated the trajectory of Janie, a black girl in search of her ...
Representatividade negra no telejornalismo : uma análise da inserção de pessoas pretas no telejornalismo do Rio Grande do NorteBlack representation in telejournalism: an analysis of the insertion of black people in telejournalism of Rio Grande do Norte
(Universidade Federal do Rio Grande do NorteBrasilUFRNJornalismoDepartamento de Comunicação Social, 2022)
Afrocetrism, gaze and visual experience in Zora Neale Hurston’s Their Eyes Were Watching GodAfrocentrism, gaze and visual experience in Zora Neale Hurston’s Their Eyes Were Watching God
(Universidad de Costa Rica. Campus Rodrigo Facio. Sitio web: https://www.ucr.ac.cr/ Teléfono: (506) 2511-4000. Correo de soporte: revistas@ucr.ac.cr, 2018)
Afrocentrism, gaze and visual experience in Zora Neale Hurston’s Their Eyes Were Watching God
(Universidad de Costa Rica, 2018)