Artículos de revistas
Proto-history, Evolution And Current Stuation Of The Extended Technique In The Musical Creation [proto-história, Evolução E Situação Atual Das Técnicas Estendidas Na Criação Musical E Na Performance]
Registro en:
Musica Hodie. , v. 11, n. 2, p. 11 - 35, 2011.
16763939
2-s2.0-84859461078
Autor
Padovani J.H.
Ferraz S.
Institución
Resumen
Closely linked to the very evolution of the musical instruments and the experimentations on their handling, the extended techniques involve the use of instrumental and vocal resources that are unusual in a given historical, esthetical and cultural context. In the paper, we present examples that demonstrate the exploration of extended techniques in musical pieces ranging from the seventeenth century to today. Finally, we sketch briefly the current state of the composition with new technical resources, and present the possibilities of using electronic and computing tools in the musical creation, leading so to a redefinition of the "extended techniques". 11 2 11 35 Adorno, T.W., Musik und Technik (1958) Musikalische Schriften: I-III, pp. 229-248. , Frankfurt am Main: Suhrkamp, Texto original de Artaud, P.-Y., Geay, G., (1980) Flûtes Au Présent, , Paris: Éditions Jobert Banowetz, J., (1992) The Pianist's Guide to Pedaling, , Bloomington: Indiana University Press Bartolozzi, B., (1967) New Sounds for Woodwind, , Tadução: R. S. BRINDLE. London: Oxford University Press Bartolozzi, B., Penazzi, S., (1971) Mettodo per Fagotto, , Milano: Edizioni Suvini Zerboni Beghin, T., (2003) Wolfgang Amadeus Mozart: Sonatas K 331 Alla Turca & K 570 Fantasia K 397 Adagio K 540, , EtCetera Records Bok, H., Wendel, E., (1989) Nouvelles Techniques de la Clarinette Basse, , Paris: Salabert Delalande, F., (2001) Le Son des Musiques: Entre Technologie et Esthétique, , Paris: Buchet/Chastel Dick, R., (1989) The Other Flute: A Performance Manual of Contemporary Techniques, , 2. ed. New York: Multiple Breadth Company Edgerton, M.E., (2004) The 21 st Century Voice: Contemporary and Traditional Extra-normal Voice, , Lanham: Scarecrow Ferneyhough, B., (1995) Collected Writings, , Netherlands: Harwood academic publishers Gieseler, W., (1985) Instrumentation in der Muisk des 20. Jahrhunderts: Akustik, Instrumente, Zusammenwirken, , Celle: Moeck Verlag Goubault, C., (2009) Histoire de l'Instrumentation et de l'Orchestration: Du Baroque À l'Électronique, , Minerve Harding, R., Experimental Pianofortes and the Music Written for Them Proceedings of the Musical Association, 57 th Sess. (1930 - 1931), pp. 57-71 Heinrich, M.-N., (2003) Création Musicale et Technologies Nouvelles: Mutation des Instruments et des Relations, , Coindé-sur-Noireau: L'Hartmann Hume, T., Poeticall Musicke, Principally Made for Two Bass-Viols, p. 1607. , London: John Windet Hume, T., (1605) The First Part of Ayres, , http://imslp.org/wiki/Special:ImagefromIndex/73285, London: John Windet, 13/05/2011 Lachenmann, H., (1983) Quatre Aspects Fondamentaux du Matériau Musical et de l'Écoute in Inharmoniques No 8/9, 1991, , Tradução francesa do original em alemão publicado in Schweizerische Musikzeitung, no 6 Landy, L., (2008) On the Paradigmatic Behaviour of Sound-based Music, , www.ems-network.org/ems08/papers/landy.pdf, 13/05/2011 Landy, L., (2007) Understanding the Art of Sound Organization, , Cambridge, MA: MIT Press Levine, C., Mitropoulos-Bott, C., (2002) Techniques of Flute Playing / Die Spieltechnik der Flöte, , Kassel: Bärenreiter Maresz, Y., (2006) Pour Une Traité d'Orchestration Au Xxie Siècle, , http://etincelle.ircam.fr/652.html, 13/05/2011 Monteverdi, C., (1636) Madrigali Guerrieri Ed Amorosi, , http://imslp.org/wiki/Special:ImagefromIndex/37046, 8° livro. Veneza, 13/05/2011 Mozart, L., (1787) Versuch Einer Gründlichen Violinschule, , http://imslp.org/wiki/Special:ImagefromIndex/66600, 3. ed. Augsburg, (publicado originalmente em 1756) 13/05/2011 Miranda, E.R., Wanderley, M.M., (2006) New Digital Musical Instruments: Control and Interaction Beyond the Keyboard, , Winsconsin: A-R Editions Murail, T., A Revolução dos Sons Complexos (1992) Cadernos de Estudo: Análise Musical, (5), pp. 55-72. , Tradução: José Augusto Mannis. São Paulo: Atravéz Strange, P., Strange, A., (2001) The Contemporary Violin: Extended Performance Techniques, , Berkeley: University of California Press O'Loughlin, N., Painful Beauty. Resenha sobre a obra New Sounds for Woodwind (1968) The Musical Times, 109 (1499). , (BARTOLOZZI, B), Musical times Publications, Jan. de Rehfeldt, P., (1994) New Directions for Clarinet, , Berkeley: University of California Press Robert, J.-P., (1995) Les Modes de Jeu de la Contrebasse: Un Dictionnaire de Sons, , Éditions Musica Guild Russolo, L., (1916) L'Arte dei Rumori, , Milano: Edizioni Futuriste di Poesia Schaeffer, P., (1966) Traité des Objets Musicaux, , Paris: Seuil Solomon, S.Z., (2002) How to Write for Percussion: A Comprehensive Guide to Percussion Composition, , New York: SZSolomon Veale, P., Mahnkopf, C.-S., (1995) The Technique of Oboe Playing, , 2. ed. Kassel: Bärenreiter Westrup, J.A., Monteverdi and the orchestra (1940) Music and Letters, 21 (3), pp. 230-245. , Jul