Buscar
Mostrando ítems 1-10 de 19
Order and disorder in fiction labyrinths: the librarians` representations in some contemporary cultural productions
(PONTIFICIA UNIVERSIDADE CATOLICA CAMPINAS, 2009)
This paper, first result of a larger research, proposes a query about some aspects of social representation of libraries and librarians, as they appear in literary and cinematographic productions. Little by little, this ...
Un abordaje interdisciplinar de un relato cinematográfico : aproximación a la película El último malón (1917) desde la Antropología y la Historia
(Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Centro de Estudios Sobre Diversidad Cultural., 2018)
Fiction of an Identity: female figures and drifts in the New Korean Cinema
(International Association of Comparative Korean Studies, 2013-08)
Fictions constitute narratives that represent an exercise of identity construction, which leads us to the fact of understanding identity as a constant construction in discourse. In this sense, we understand that the ...
Comunidades Cinematográficas: Las dinámicas de producción que dieron vida a El Camino
(Revista Comunicación 20(2):52-59, 2011)
A través de un caso de estudio (El Camino, Yasín: 2008) este artículo inspecciona
por medio de entrevistas y observación participante las relaciones laborales
y artísticas que posibilitan la producción cinematográfica ...
Universal exhibitions and the cinema: history and culture
(ASSOC NAC HISTORIA-ANPUH, 2011)
The objective of this article is to examine the presence of cinema in World Fairs between the 1893 World`s Columbian Exposition in Chicago and 1939 (the New York World`s Fair). As an integral part of a visual culture ...
Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion
(Univ Sao Paulo, Fac Filosofia, 2020-01-01)
The main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, ...
God writes straight with crooked lines. The aesthetic hick of Saint Antonio and the cow
(Presses Univ Mirail, 2012-12-01)
If cinema is an essentially urban means of expression, the fruit of technique and industry, can a film narrator express in a film's esthetics a caipira's Weltanschauung (world vision or philosophy) ? We suggest, agreeing ...
Portraits of places: Notes on Horacio Coppola's Photography and Short Urban Films
(Carfax Publishing Ltd., 2015-06)
Beginning in the late twenties and more specifically during the thirties – commissioned by the city of Buenos Aires on the occasion of the city's fourth centennial celebrations – Horacio Coppola created a way of looking ...
Del arrabal y el cafetín a la broadcasting: Imágenes del ascenso social y un tango moderno en el cine argentino de los años treinta
(Centro de Estudios de la Imagen Sans Soleil, 2013-01)
El tango se constituyó en uno de los vectores de la popularización de los primeros filmes sonoros argentinos en la década del treinta. A diferencia de otros objetos culturales de la época, aquellos construyeron imágenes ...